Whetheryou cite Stanley Kubrick’s prudentuseof exemplary songin2001: A Space Odysseyor Vangelis’ discarnate electronicainBlade Runner,there’sno denyingthe significanceof thegood soundtrackin elevating the sci-fi filmto cult status.The ultimate claimantfor such the cherished markin film scienceis Gravity,whichisjust attack cinemas right away among widespread critical acclaim.The composerofits soundtrackis Steven Price,whomost not long ago authoredthe sentimental soundscapesof The World’sEnd. Stevenhas sat downfor the spanof spoiler-free interviewsinthe builduptothe movie’s release, explainingsomeofthe credentialsforhowhegotthe pursuitandthe tighten operative attributehehadwith executive Alfonso Cuarón. Both groupwerekeento“do something different”withtheGravityscore, blurringthe line in between organic soundsand electronic instrumentation.Ifthe film isn’t outinyour internal multiplexyet,youcan representationthe productoftheir workon Warner Bros’Gravitywebsite,which letsyou attendtothe complete soundtrack.